Wednesday, January 19, 2011

{ Illusionist - Great Reads No 2: Water for Elephants }


Water for Elephants
Sara Gruen
Non-Fiction
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SYNOPSIS
During the 1930's, as a young man, Jacob Jankowski was tossed by fate onto a rickety train that was home to the Benzini Brothers Most Spectacular Show on Earth. It was the early part of the great depression, and for Jacob, now ninety, the circus world he remembers was both his salvation and a living hell. A veterinary student just shy of a degree, he was put in charge of caring for the circus menagerie. It was there that he met Marlena, the beautiful equestrian star married to August, the charismatic but twisted animal trainer. And he met Rosie, an untrainable elephant who was the great gray hope for this third-rate traveling show. The bond that grew among this unlikely trio was one of love and trust, and, ultimately, it was their only hope for survival.

BIRDS EYE:  Coming Soon.


PROLOGUE:
Only three people were left under the red and white awning of the grease joint; Grady, me, and the fry cook. Grady and I sat at a battered wooden table, each facing a burger on a dented tin plate. The cook was behind the counter, scraping his griddle with the edge of a spatula. He had turned off the fryer some time ago, but the odor of grease lingered.
The rest of the midway- so recently writhing with people - was empty but for a handful of employees and a small group of men waiting to be led to the cooch tent. The glanced nervously from side to side, with hats pulled low and hands thrust deep in their pockets. They wouldn't be disappointed: somewhere in the back Barbara and her ample charms awaited.
The other townsfolk - rubes, as Uncle Al called them - had already made their way through the menagerie tent and into the big top, which pulsed with frenetic music. The band was whipping through its repertoire at the usual earsplitting volume. I knew this routine by heart - at this very moment, the tail end of the Grand Spectacle was exiting and Lottie, the aerialist, was ascending her rigging in the center ring.
I stared at Grady, trying to process what he was saying. He glanced around and leaned in closer.
"Besides," he said, locking eyes with me, "it seems to me you've got a lot to loose right now." He raised his eyebrows for emphasis. My heart skipped a beat.
Thunderous applause exploded from the big top, and the band slid seamlessly into the Gounod waltz. I turned instinctively toward the menagerie because this was the cue for the elephant act. Marlena was either preparing to mount or was already sitting on Rosie's head.
"I've got to go, " I said.
"Sit," said Grady. "Eat. If you're thinking of clearing out, it may be a while before you see food again."
That moment, the music screeched to a halt. There was an ungodly collision of brass, reed, and percussion - trombones and piccolos skidded into cacophony, a tuba farted, and the hollow clang of a cymbal wavered out of the big top, over our heads and into oblivion.
Grady froze, crouched over his burger with his pinkies extended and lips spread wide. 
I looked from side to side. No one moved a muscle - all eyes were directed at the big top. A few wisps of hay swirled lazily across the hard dirt.
"What is it? What's going on?" I said.
"Shh," Grady hissed.
The band started up again, playing "Stars and Stripes Forever."
"Oh Christ. Oh shit!" Grady tossed his food onto the table and leapt up, knocking over the bench.
"What? What is it?" I yelled, because he was already running away from me. 
"The Disaster March!" he screamed over his shoulder.
I jerked around to the fry cook, who was ripping off his apron. "What the hell's he talking about?"
"The Disaster March," he said, wrestling the apron over his head. "Means something's gone bad - real bad."
"Like what?"
"Could be anything - fire in the big top, stampede, whatever. Aw sweet Jesus. The poor rubes probably don't even know it yet." He ducked under the hinged door and took off.
Chaos - candy butchers vaulted over counters, workmen staggering out from under tent flaps, roustabouts racing headlong across the lot. Anyone and everyone associated with the Benzini Brothers Most Spectacular Show on Earth barreled toward the big top.
Diamond Joe passed me at the human equivalent of a full gallop. "Jacob - its the menagerie," he screamed. "The animals are loose. Go, go, go!"
He didn't need to tell me twice. Marlena was in that tent.
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3 comments:

  1. I almost bought this book for my trip, but the circus scares me (for real, won't go near it), so I was afraid the book would freak me out too. Should I reconsider? It is worth the possible nightmares?

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  2. Becca! Oh, how funny! I am not a fan of clowns...I was worried if there was going to be some creepy clown dude (which there wasnt) But, its such a incredible, fascinating book. Especially because its a historical time piece of 1931. We see everything through the main character's eyes, and he has such a kind, sweet heart and sees life how it really is. The animals are not at all scary or portrayed as such. The different characters introduced are like an abstract painting - so different, that you either relate to them or feel sorry for them. It is a bit, grimy? Grimy is a good word..and perhaps honest? But not extremely graphic, though there are a few private scenes, which is surprising but only a few sentences long. Overall, its such a page turner. What is it you don't like about circuses? Maybe if I know I could let you know if you'll like it or not? <3

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  3. Hmmm...why I don't like the circus. Well, its not the clowns (suprisingly)...they don't bother me. One reason I know I don't like going to them is because I know that something bad is going to happen...the potential for death is everywhere (wow, I sound really morbid).

    Also, in an unexplainable way, they just feel creepy and sad to me.

    Plus I always worry about the animals. I just feel sad for animals that are born to be wild but aren't given the chance (zoos kinda bother me too, but I can still go and enjoy them...they have enough positive aspects to kinda equalize the negative) -not like the circus...won't go near it.

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